Slyly funny and disarmingly tender, Fallow is the story of a young woman who signs up to be the world’s first in-house corporate surrogate, then finds herself caught up in a social experiment of another kind.

Natalie knows one truth: There is no such thing as a good job.

As the clock ticks away at the workplace harassment call center, she tries to ignore the increasing pain in her jaw. She has no dental insurance. She has no skills or ambitions. She has student loans. And, minute by minute, she hears the many ways workers are not just not getting by, but actually getting hustled.

Then, at the blood bank where she sells her plasma, a mysterious flyer leads her to The Company. Natalie turns out to be the perfect candidate for their pilot program: in-house surrogate. The Company pitches it as an opportunity to help women access greater gender equity, motherhood without maternity leave. Finally, she will be adequately―generously―compensated.

For years, her every need is met: stacks of healthy meals in the refrigerator of a luxury condo, fitness coaches and nutritionists, around-the-clock healthcare. Between deliveries, she takes time off―no obligations or expectations. For the first time in her life, she is good at her job; for the first time, she feels free.

But just as she’s about to fulfill the terms of her contract, a staffing decision upends everything and drags her deep into another social experiment. There she meets new questions about her future, her freedom, her purpose, and what she can expect from the world.

Woundingly funny and deeply moving, Sarah Anderson’s Fallow is a tender, hilarious, alarmingly real vision of a woman balancing on the knife-edge of capitalism as she comes to realize who she wants to be.